✖Here you can explore some general information about the project. See also Beta maṣāḥəft institutional web page. Select About to meet the project team and our partners. Visit the Guidelines section to learn about our encoding principles. The section Data contains the Linked Open Data information, and API the Application Programming Interface documentation for those who want to exchange data with the Beta maṣāḥǝft project. The Permalinks section documents the versioning and referencing earlier versions of each record.
Click to get back to the home page. Here you can find out more about the project team, the cooperating projects, and the contact information. You can also visit our institutional page. Find out more about our Encoding Guidelines. In this section our Linked Open Data principles are explained. Developers can find our Application Programming Interface documentation here. The page documents the use of permalinks by the project.
✖Descriptions of (predominantly) Christian manuscripts from Ethiopia and Eritrea are the core of the Beta maṣāḥǝft project. We (1) gradually encode descriptions from printed catalogues, beginning from the historical ones, (2) incorporate digital descriptions produced by other projects, adjusting them wherever possible, and (3) produce descriptions of previously unknown and/or uncatalogued manuscripts. The encoding follows the TEI XML standards (check our guidelines).
Shelf marks (full list)Manuscripts (search)List of Digitized ManuscriptsCatalogues EncodedInscriptions
✖We identify each unit of content in every manuscript. We consider any text with an independent circulation a work, with its own identification number within the Clavis Aethiopica (CAe). Parts of texts (e.g. chapters) without independent circulation (univocally identifiable by IDs assigned within the records) or recurrent motifs as well as documentary additional texts (identified as Narrative Units) are not part of the CAe. You can also check the list of different types of text titles or various Indexes available from the top menu.
Clavis Aethiopica (Works)Narrative UnitsStudies
The clavis is a repertory of all known works relevant for the Ethiopian and Eritrean tradition; the work being defined as any text with an independent circulation. Each work (as well as known recensions where applicable) receives a unique identifier in the Clavis Aethiopica (CAe). In the filter search offered here one can search for a work by its title, a keyword, a short quotation, but also directly by its CAe identifier - or, wherever known and provided, identifier used by other claves, including Bibliotheca Hagiographica Graeca (BHG), Clavis Patrum Graecorum (CPG), Clavis Coptica (CC), Clavis Apocryphorum Veteris Testamenti (CAVT), Clavis Apocryphorum Novi Testamenti (CANT), etc. The project additionally identifies Narrative Units to refer to text types, where no clavis identification is possible or necessary. Recurring motifs or also frequently documentary additiones are assigned a Narrative Unit ID, or thematically clearly demarkated passages from various recensions of a larger work. This list view shows the documentary collections encoded by the project Ethiopian Manuscript Archives (EMA) and its successor EthioChrisProcess - Christianization and religious interactions in Ethiopia (6th-13th century) : comparative approaches with Nubia and Egypt, which aim to edit the corpus of administrative acts of the Christian kingdom of Ethiopia, for medieval and modern periods. See also the list of documents contained in the additiones in the manuscripts described by the Beta maṣāḥǝft project . Works of interest to Ethiopian and Eritrean studies.
✖While encoding manuscripts, the project Beta maṣāḥǝft aims at creating an exhaustive repertory of art themes and techniques present in Ethiopian and Eritrean Christian tradition. See our encoding guidelines for details. Two types of searches for aspects of manuscript decoration are possible, the decorations filtered search and the general keyword search.
Index of decorationsArt KeywordsIlluminations
The filtered search for decorations, originally designed with Jacopo Gnisci, looks at decorations and their features only. The filters on the left are relative only to the selected features, reading the legends will help you to figure out what you can filter. For example you can search for all encoded decorations of a specific art theme, or search the encoded legends. If the decorations are present, but not encoded, you will not get them in the results. If an image is available, you will also find a thumbnail linking to the image viewer. [NB: The Index of Decorations currently often times out, we are sorry for the inconvenience.] You can search for particular motifs or aspects, including style, also through the keyword search. Just click on "Art keywords" and "Art themes" on the left to browse through the options. This is a short cut to a search for all those manuscripts which have miniatures of which we have images.
✖We create metadata for all places associated with the manuscript production and circulation as well as those mentioned in the texts used by the project. The encoding of places in Beta maṣāḥǝft will thus result in a Gazetteer of the Ethiopian tradition. We follow the principles established by Pleiades and lined out in the Syriaca.org TEI Manual and Schema for Historical Geography which allow us to distinguish between places, locations, and names of places. See also Help page fore more guidance.
PlacesRepositories
This tab offers a filtrable list of all available places. Geographical references of the type "land inhabited by people XXX" is encoded with the reference to the corresponding Ethnic unit (see below); ethnonyms, even those used in geographical contexts, do not appear in this list. Repositories are those locations where manuscripts encoded by the project are or used to be preserved. While they are encoded in the same way as all places are, the view offered is different, showing a list of manuscripts associated with the repository.
✖We create metadata for all persons (and groups of persons) associated with the manuscript production and circulation (rulers, religious authorities, scribes, donors, and commissioners) as well as those mentioned in the texts used by the project. The result will be a comprehensive Prosopography of the Ethiopian and Eritrean tradition. See also Help page for more guidance.
Persons and groupsEthnic units
We encode persons according to our Encoding Guidelines. The initial list was inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix. We consider ethnonyms as a subcategory of personal names, even when many are often used in literary works in the context of the "land inhabited by **". The present list of records has been mostly inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix.
✖This section collects some additional resources offered by the project. Select Bibliography to explore the references cited in the project records. The Indexes list different types of project records (persons, places, titles, keywords, etc). Visit Projects for information on partners that have input data directly in the Beta maṣāḥǝft database. Special ways of exploring the data are offered under Visualizations. Two applications were developed in cooperation with the project TraCES, the Gǝʿǝz Morphological Parser and the Online Lexicon Linguae Aethiopicae.
BibliographyIndexesProjectsVisualizationsGǝʿǝz Morphological ParserOnline Lexicon Linguae Aethiopicae
Help

You are looking at work in progress version of this website. For questions contact the dev team.

Hover on words to see search options.

Double-click to see morphological parsing.

Click on left pointing hands and arrows to load related items and click once more to view the result in a popup.

Explore this page
Do you want to notify us of an error, please do so by writing an issue in our GitHub repository (click the envelope for a precomiled one).
On small screens, will show a navigation bar on the leftOpen Item Navigation
Edit Not sure how to do this? Have a look at the Beta maṣāḥǝft Guidelines!
Hide pointersClick here to hide or show again the little arrows and small left pointing hands in this page.
Hide relatedClick here to hide or show again the right side of the content area, where related items and keywords are shown.
EntryMain Entry
TEI/XMLDownload an enriched TEI file with explicit URIs bibliography from Zotero API.
SyntaxeSee graphs of the information available. If the manuscript contains relevant information, then you will see visualizations based on La Syntaxe du Codex, by Andrist, Canart and Maniaci.
RelationsFurther visualization of relational information
TranscriptionTranscription (as available). Do you have a transcription you want to contribute? Contact us or click on EDIT and submit your contribution.
ImagesManuscript images in the Mirador viewer via IIIF

New Orleans, LA, Whisnant Collection, Whisnant Codex 2

Jonah Sandford, Ralph Lee, Ashlee Benson

Whisnant, EMIP

Work in Progress
https://betamasaheft.eu/EMIP00030
Whisnant Collection[view repository]

Collection: Whisnant

Other identifiers: Ethiopic Manuscript Imaging Project EMIP 30

GeneralDescriptionPhysical DescriptionAuthors

General description

Whisnant Codex 2

Number of Text units: 13

Number of Codicological units: 1

For a table of all relations from and to this record, please go to the Relations view. In the Relations boxes on the right of this page, you can also find all available relations grouped by name.

Origin

eighteenth century

Summary

Psalter, ዳዊት፡
  1. ms_i1 (Fols 1r–178r

    Images relevant for EMIP00030#ms_i1, from EMIP/Codices/30/

    You are viewing a sequence of images from f. 1r to f. 178r

    Open with Mirador Viewer

    ), Psalter
    1. ms_i1.1 (Fols 1r–119r

      Images relevant for EMIP00030#ms_i1_1, from EMIP/Codices/30/

      You are viewing a sequence of images from f. 1r to f. 119r

      Open with Mirador Viewer

      ), Mazmura Dāwit
    2. ms_i1.2 (Fols 119v–131v

      Images relevant for EMIP00030#ms_i1_2, from EMIP/Codices/30/

      You are viewing a sequence of images from f. 119v to f. 131v

      Open with Mirador Viewer

      ), Book of Odes
    3. ms_i1.3 (Fols 131v–138r

      Images relevant for EMIP00030#ms_i1_3, from EMIP/Codices/30/

      You are viewing a sequence of images from f. 131v to f. 138r

      Open with Mirador Viewer

      ), Song of Songs
    4. ms_i1.4 (Fols 138v–148v

      Images relevant for EMIP00030#ms_i1_4, from EMIP/Codices/30/

      You are viewing a sequence of images from f. 138v to f. 148v

      Open with Mirador Viewer

      ), Wǝddāse Māryām
      1. ms_i1.4.1 (Fols 138v and following

        Images relevant for EMIP00030#ms_i1_4_1, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 138v to f.

        Open with Mirador Viewer

        ), Monday
      2. ms_i1.4.2 (Fols 139v and following

        Images relevant for EMIP00030#ms_i1_4_2, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 139v to f.

        Open with Mirador Viewer

        ), Tuesday
      3. ms_i1.4.3 (Fols 141r and following

        Images relevant for EMIP00030#ms_i1_4_3, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 141r to f.

        Open with Mirador Viewer

        ), Wednesday
      4. ms_i1.4.4 (Fols 143r and following

        Images relevant for EMIP00030#ms_i1_4_4, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 143r to f.

        Open with Mirador Viewer

        ), Thursday
      5. ms_i1.4.5 (Fols 145r and following

        Images relevant for EMIP00030#ms_i1_4_5, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 145r to f.

        Open with Mirador Viewer

        ), Friday
      6. ms_i1.4.6 (Fols 146v and following

        Images relevant for EMIP00030#ms_i1_4_6, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 146v to f.

        Open with Mirador Viewer

        ), Saturday
      7. ms_i1.4.7 (Fols 147v and following

        Images relevant for EMIP00030#ms_i1_4_7, from EMIP/Codices/30/

        You are viewing a sequence of images from f. 147v to f.

        Open with Mirador Viewer

        ), Sunday
    5. ms_i1.5 (Fols 149r–153v

      Images relevant for EMIP00030#ms_i1_5, from EMIP/Codices/30/

      You are viewing a sequence of images from f. 149r to f. 153v

      Open with Mirador Viewer

      ), ʾAnqaṣa bǝrhān

Contents

Fols 1r–178r

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, (in ms_i1), from EMIP/Codices/30/

You are viewing a sequence of images from f. 1r to f. 178r

Open with Mirador Viewer

Psalter (CAe 2701)

Language of text:

Fols 1r–119r

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_1, from EMIP/Codices/30/

You are viewing a sequence of images from f. 1r to f. 119r

Open with Mirador Viewer

Mazmura Dāwit (CAe 2000)
Fols 119v–131v

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_2, from EMIP/Codices/30/

You are viewing a sequence of images from f. 119v to f. 131v

Open with Mirador Viewer

Book of Odes (CAe 1828) Designated for a day of the week (Sunday, fol. 119v ).
Fols 131v–138r

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_3, from EMIP/Codices/30/

You are viewing a sequence of images from f. 131v to f. 138r

Open with Mirador Viewer

Song of Songs (CAe 2362) Common version
Fols 138v–148v

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4, from EMIP/Codices/30/

You are viewing a sequence of images from f. 138v to f. 148v

Open with Mirador Viewer

Wǝddāse Māryām (CAe 2509) Arranged for the days of the week
Fols 138v and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_1, from EMIP/Codices/30/

You are viewing a sequence of images from f. 138v to f.

Open with Mirador Viewer

Monday
Fols 139v and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_2, from EMIP/Codices/30/

You are viewing a sequence of images from f. 139v to f.

Open with Mirador Viewer

Tuesday
Fols 141r and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_3, from EMIP/Codices/30/

You are viewing a sequence of images from f. 141r to f.

Open with Mirador Viewer

Wednesday
Fols 143r and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_4, from EMIP/Codices/30/

You are viewing a sequence of images from f. 143r to f.

Open with Mirador Viewer

Thursday
Fols 145r and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_5, from EMIP/Codices/30/

You are viewing a sequence of images from f. 145r to f.

Open with Mirador Viewer

Friday
Fols 146v and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_6, from EMIP/Codices/30/

You are viewing a sequence of images from f. 146v to f.

Open with Mirador Viewer

Saturday
Fols 147v and following

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_4_7, from EMIP/Codices/30/

You are viewing a sequence of images from f. 147v to f.

Open with Mirador Viewer

Sunday
Fols 149r–153v

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, ms_i1_5, from EMIP/Codices/30/

You are viewing a sequence of images from f. 149r to f. 153v

Open with Mirador Viewer

ʾAnqaṣa bǝrhān (CAe 1113)

Additions In this unit there are in total .

  1. Fol. 153v

    Prayer to Mary by the author whose name has been erased

Extras

  1. Fols. 43r, 146r

    Overlooked words of text are written interlinearly

  2. Fol. 109v

    Overlooked lines of text are written interlinearly

  3. f. 23v, line 15

    Overlooked lines of text are written in the upper margin with a symbol marking the location where the text is to be inserted

  4. Fols. 1r, 4r, 7r, 15r, 18v

    etc., the scribe regularly has to complete a line of text on another line. Much of the problem is addressed through the selection of an appropriate aspect ratio for the codex combined with an appropriate script size. This scribe will reduce the font size at the end of lines to avoid having to go onto the next line

  5. Folss. 3v, 5r, 8v, 10r, 12r, 12v, 14v, 16r, 6r, 10v, 14v, 16r, 18r

    For example: even with the reduction in font size, when a line is still too long it is completed above or below the end of the line. In these cases, the scribe places the material above the line, or below the line

    ,

  6. Fol. i

    Cut out

  7. Fols. Back,

    Back cover has tag with the following written: 1100– AF305

Decoration In this unit there are in total 1 , 1 .

Frame notes

  1. frame: Decorative designs: fols. 1r, 131v, 143r, 153v (ሐረግ፡ using black and red); 32v, 40r, 74r, 79v, 104v, 119v (ሐረግ፡ using black); 138v (small ሐረግ፡ in top margin using red); 1r, 7v, 14v, 22v, 32r, 39v, 45v, 54v, 65v, 73v, 79r, 92r, 104r, 107r, 113r, 119r, 139r, 141r, 145r, 146v, 148v, (dotted line using alternating black and red); 22v, 145r, 147v (dotted line using alternating black and red surrounded by ሐረግ፡-like border); 146v (outline of a cross using black)

Miniatures notes

  1. miniature: Fol. 22v

    Angel drawn in pencil

Physical Description

Form of support

Parchment Codex

Extent

+NaN (leaf) .Entered as i + 153 16 full (quire) .Entered as 16 full 196 125 72
Outer dimensions
Height 196mm
Width 125mm
Depth 72mm

Quire Structure Collation

Signatures: Quires 2–10, 12–16 numbered. Quires 14 and 15 are both numbered as 14, but quire 16 received the correct number.

Quire descriptions: quires 1–9, 11–15 balanced, though fols. i, of quire 1 is cut off; quire 10 adjusted balanced; quire 16 unbalanced. Navigation system: various colored string sewn into corners of 14, 65, 107, 113, 119 to mark content divisions. Fol. i is cut off 1 cm from gutter. Stubs appear between folss. 91, 92, and between 96, 97 Two stubs appear after fol. 153
Position Number Leaves Quires Description
1 1 10 Fols i–9 Fol. i is cut off 1 cm from gutter. Quire 1
2 2 10 Fols 10–19 Quire 2
3 3 10 Fols 20–29 Quire 3
4 4 10 Fols 30–39 Quire 4
5 5 10 Fols 40–49 Quire 5
6 6 10 Fols 50–59 Quire 6
7 7 10 Fols 60–69 Quire 7
8 8 10 Fols 70–79 Quire 8
9 9 10 Fols 80–89 Quire 9
10 10 10 Fols 90–99 Stubs appear between folss. 91, 92, and between 96, 97 Quire 10: 8, stub after 2 3, stub after 7
11 11 10 Fols 100–109 Quire 11
12 12 6 Fols 110–115 Quire 12
13 13 10 Fols 116–125 Quire 13
14 14 10 Fols 126–135 Quire 14
15 15 10 Fols 136–145 Quire 15
16 16 8 Fols 146–153 Two stubs appear after fol. 153 Quire 16: 1, stub after 8 2, stub after 8

Collation diagrams


Quire 1
Quire ID:q1, number:1
Notes: 1) Fol. i is cut off 1 cm from gutter.
Collation diagram Quire 1 1 10 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 2
Quire ID:q2, number:2
Collation diagram Quire 2 11 20 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 3
Quire ID:q3, number:3
Collation diagram Quire 3 21 30 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 4
Quire ID:q4, number:4
Collation diagram Quire 4 31 40 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 5
Quire ID:q5, number:5
Collation diagram Quire 5 41 50 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 6
Quire ID:q6, number:6
Collation diagram Quire 6 51 60 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 7
Quire ID:q7, number:7
Collation diagram Quire 7 61 70 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 8
Quire ID:q8, number:8
Collation diagram Quire 8 71 80 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 9
Quire ID:q9, number:9
Collation diagram Quire 9 81 90 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 10: 8, stub after 2 3, stub after 7
Quire ID:q10, number:10
Notes: 1) Stubs appear between folss. 91, 92, and between 96, 97
Collation diagram Quire 10 91 100 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5 Unit #6

Quire 11
Quire ID:q11, number:11
Collation diagram Quire 11 101 110 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 12
Quire ID:q12, number:12
Collation diagram Quire 12 111 116 Unit #1 Unit #2 Unit #3

Quire 13
Quire ID:q13, number:13
Collation diagram Quire 13 117 126 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 14
Quire ID:q14, number:14
Collation diagram Quire 14 127 136 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 15
Quire ID:q15, number:15
Collation diagram Quire 15 137 146 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 16: 1, stub after 8 2, stub after 8
Quire ID:q16, number:16
Notes: 1) Two stubs appear after fol. 153
Collation diagram Quire 16 147 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Ethio-SPaRe formula : I(10/Fols i–9) – II(10/Fols 10–19) – III(10/Fols 20–29) – IV(10/Fols 30–39) – V(10/Fols 40–49) – VI(10/Fols 50–59) – VII(10/Fols 60–69) – VIII(10/Fols 70–79) – IX(10/Fols 80–89) – X(8+2/s.l. 8, stub after 2; s.l. 3, stub after 7/Fols 90–99) – XI(10/Fols 100–109) – XII(6/Fols 110–115) – XIII(10/Fols 116–125) – XIV(10/Fols 126–135) – XV(10/Fols 136–145) – XVI(6+2/s.l. 1, stub after 8; s.l. 2, stub after 8/Fols 146–153) –

Formula: Fols i–9 Quire 1 ; Fols 10–19 Quire 2 ; Fols 20–29 Quire 3 ; Fols 30–39 Quire 4 ; Fols 40–49 Quire 5 ; Fols 50–59 Quire 6 ; Fols 60–69 Quire 7 ; Fols 70–79 Quire 8 ; Fols 80–89 Quire 9 ; Fols 90–99 Quire 10: 8, stub after 2 3, stub after 7 ; Fols 100–109 Quire 11 ; Fols 110–115 Quire 12 ; Fols 116–125 Quire 13 ; Fols 126–135 Quire 14 ; Fols 136–145 Quire 15 ; Fols 146–153 Quire 16: 1, stub after 8 2, stub after 8 ;

Formula 1: 1 (10), 2 (10), 3 (10), 4 (10), 5 (10), 6 (10), 7 (10), 8 (10), 9 (10), 10 (10), 11 (10), 12 (6), 13 (10), 14 (10), 15 (10), 16 (),

Formula 2: 1 (10), 2 (10), 3 (10), 4 (10), 5 (10), 6 (10), 7 (10), 8 (10), 9 (10), 10 (10), 11 (10), 12 (6), 13 (10), 14 (10), 15 (10), 16 (),

Binding

Four Coptic chain stitches attached with bridle attachments to rough-hewn boards covered with tooled leather (binding exposed) over decorative linen patches visible inside the turn-ins on front and back cover.

Binding material

wood

leather

textile

Original binding

Yes

Layout

Layout note 1

H
W
Margins
top 15mm
bottom 34mm
right 21mm
left 11mm

Ms New Orleans, LA, Whisnant Collection, Whisnant Codex 2 main part

looks ok for measures computed width is: NaNmm, object width is: 125mm, computed height is: NaNmm and object height is: 196mm.

Layout note 1(Fols 1r–138r

Images relevant for EMIP00030#ms, from EMIP/Codices/30/

You are viewing a sequence of images from f. 1r to f. 138r

Open with Mirador Viewer

)

Number of columns: 1

Number of lines: 23-24

Layout note 1(Fols 138v–153v

Images relevant for New Orleans, LA, Whisnant Collection, Whisnant Codex 2, msDesc ms, from EMIP/Codices/30/

You are viewing a sequence of images from f. 138v to f. 153v

Open with Mirador Viewer

)

Number of columns: 2

Number of lines: 23-24

Palaeography

  • Hand 1

    Script: Ethiopic

    Columetric layout of text: fols. 76v, (Ps. 95), 118v, 119r, (Ps. 150), 127v, 128r, 128v (tenth biblical canticle)

    • Keywords

      Publication Statement

      authority
      Hiob-Ludolf-Zentrum für Äthiopistik
      publisher
      Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft
      pubPlace
      Hamburg
      availability

      This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.

      date
      type=expanded
      20.8.2024 at 15:25:41
      date
      type=lastModified
      12.11.2020
      idno
      type=collection
      manuscripts
      idno
      type=url
      https://betamasaheft.eu/manuscripts/EMIP00030/main
      idno
      type=URI
      https://betamasaheft.eu/EMIP00030
      idno
      type=filename
      EMIP00030.xml
      idno
      type=ID
      EMIP00030

    Select one of the keywords listed from the record to see related data

    No keyword selected.
    This page contains RDFa. RDF+XML graph of this resource. Alternate representations available via VoID.
    Permalinks
    Hypothes.is public annotations pointing here

    Use the tag BetMas:EMIP00030 in your public hypothes.is annotations which refer to this entity.

    CLOSE

    Suggested citation of this record

    Jonah Sandford, Ralph Lee, Ashlee Benson, Pietro Maria Liuzzo, ʻNew Orleans, LA, Whisnant Collection, Whisnant Codex 2ʼ, in Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft (Last Modified: 2020-11-12) https://betamasaheft.eu/manuscripts/EMIP00030 [Accessed: 2024-11-24]

    To cite a precise version, please, click on load permalinks and to the desired version (see documentation on permalinks), then import the metadata or copy the below, with the correct link.

    CLOSE

    Revision history

    • Ashlee Benson Minor Change on 12.11.2020
    • Ashlee Benson Updated facs statements on 2.11.2020
    • Ralph Lee corrected ǝ character on 17.4.2020
    • Ralph Lee Reformatted ms items, additions and extras, added image links on 6.4.2020
    • Jonah Sandford Made corrections to quire notes on 14.6.2018
    • Jonah Sandford Added works, phys/quire descriptions, various notes on 11.6.2018
    • Pietro Maria Liuzzo Created XML record from EMIP Collection Metadata.xsls on 18.1.2018
    CLOSE

    Attribution of the content

    Jonah Sandford, editor

    Ralph Lee, editor

    Ashlee Benson, editor

    Pietro Maria Liuzzo, contributor

    The initial version of this file was created from data kindly provided by the Ethiopic Manuscript Imaging Project directed by Steve Delamarter.
    This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.