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ImagesManuscript images in the Mirador viewer via IIIF

Williams, OR, Marwick Collection, Marwick Codex 6

Jonah Sandford, Ralph Lee, Ashlee Benson

Marwick, EMIP

Work in Progress
https://betamasaheft.eu/EMIP00010
Marwick Collection[view repository]

Collection: Marwick

Other identifiers: Ethiopic Manuscript Imaging Project EMIP 10

General description

Marwick Codex 6

Number of Text units: 13

Number of Codicological units: 1

For a table of all relations from and to this record, please go to the Relations view. In the Relations boxes on the right of this page, you can also find all available relations grouped by name.

Origin

nineteenth and twentieth centuries (composite)

Summary

Psalter, ዳዊት፡
  1. ms_i1 (Fols 1r–126r

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    ), Psalter
    1. ms_i1.1 (Fols 1r–97r

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      ), Mazmura Dāwit
    2. ms_i1.2 (Fols 97r–107v

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      ), Book of Odes
    3. ms_i1.3 (Fols 107v–113r

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      ), Song of Songs
    4. ms_i1.4 (Fols 114r–122r

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      ), Wǝddāse Māryām
      1. ms_i1.4.1 (Fols 114r and following

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        ), Monday
      2. ms_i1.4.2 (Fols 114v and following

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        ), Tuesday
      3. ms_i1.4.3 (Fols 116r and following

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        ), Wednesday
      4. ms_i1.4.4 (Fols 117v and following

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        ), Thursday
      5. ms_i1.4.5 (Fols 119r and following

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        ), Friday
      6. ms_i1.4.6 (Fols 120r and following

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        ), Saturday
      7. ms_i1.4.7 (Fols 121r and following

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        ), Sunday
    5. ms_i1.5 (Fols 122r–126r

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      ), ʾAnqaṣa bǝrhān

Contents


Fols 1r–126r

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Psalter (CAe 2701)

Language of text:


Fols 1r–97r

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Mazmura Dāwit (CAe 2000)

Fols 97r–107v

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Book of Odes (CAe 1828)

Fols 107v–113r

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Song of Songs (CAe 2362) Common version

Fols 114r–122r

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Wǝddāse Māryām (CAe 2509) Arranged for the days of the week

Fols 114r and following

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Monday

Fols 114v and following

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Tuesday

Fols 116r and following

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Wednesday

Fols 117v and following

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Thursday

Fols 119r and following

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Friday

Fols 120r and following

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Saturday

Fols 121r and following

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Sunday

Fols 122r–126r

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ʾAnqaṣa bǝrhān (CAe 1113)

Additions In this unit there are in total .

  1. Fol. iir(ecto)

    Fǝtḥat za-wald (CAe 1398)

  2. Fols. 125v, 126r

    Calendar of the year, with the text of fol. 126v erased to draw the Crucifixion

  3. Fols. 13r, 15v, 24r, 24v, 26r, 27r, 86v, 109v

    Overlooked lines of text have been inserted between lines

Extras

  1. Fol. 127v

    The Ethiopic alphabet from ሀ to ሒ

  2. Fol. 67v

    An overlooked line of text has been inserted in the upper margin and a symbol (an ornate + sign) markes the place where the text should be read

  3. Fols. 5v, 6r, 10v, 11r, 13v, 14r

    etc., the scribe regularly has to complete a line of text on another line. Much of the problem is addressed through the selection of an appropriate aspect ratio for the codex combined with an appropriate script size. But, where the line of text is still too long, the scribe completes the line of text above the end of the line

  4. Fol. 52r

    etc., this scribe will also reduce the font size at the end of lines to avoid having to go onto the next line

  5. Fol. ir(ecto)

    Unintelligible note

Decoration In this unit there are in total 1 , 9 s.

Frame notes

  1. frame: Decorative designs: ሐረግ፡ in red and black on folss. 1r, 13r, 19v, 45r, (erased), fols. 60r, 64v, 76r, 93r, 97r, 107v, 114v, 122r (one column); ሐረግ፡ in black on folss. 28r, 88r, . A line of alternating red and black dots marks the division between groups of ten psalms (fols. 38v, ). A row of full-stop symbols marks divisions in the Praises of Mary (fols. 114v, 119r, 125r ).

Miniatures notes

  1. miniature: Fol. iv(erso)

    David Beheads Goliath with caption Legend: Text in ወመተርኬ፡ ርእሶ፡ ለጎልያድ፡

  2. miniature: Fol. iiv(erso)

    David Playing the Harp

  3. miniature: Fol. 33v

    Holy Man Portrait holding a book in his right hand and raising up his left hand

    painted erasing the text of Ps 50:6–51:2.
  4. miniature: Fol. 46r

    Holy Man Portrait receives a book from above, probably the booklet of prayer

    painted erasing the text of Ps 71:16–72:8
  5. miniature: Fol. 70r

    Holy Man Portrait, Aaron and his blooming

  6. miniature: Fol. 94r

    Holy Man Portrait, Gabra Manfas Qǝddus

    painted erasing the text of Ps 142:7–143:5
  7. miniature: Fol. 113v

    Angel brandishing a

  8. miniature: Fol. 126v

    Crucifixion of Jesus

    painted erasing the text of the rest of the calendar
  9. miniature: Fol. 127r

    Resurrection of Jesus, the resurrected Christ displays his wounds

Physical Description

Form of support

Parchment Codex

Extent

+NaN (leaf) .Entered as ii + 127 +NaN (quire) .Entered as Protection quire + 16 full quires 205 153 58
Outer dimensions
Height 205mm
Width 153mm
Depth 58mm

Quire Structure Collation

Quire descriptions: quires 1–3, 5, 7–11, 13–16 balanced; quires 4, 6 adjusted balanced; quire 12 unbalanced. Navigation systems: brown yarn sewn into corners of folios to mark the location of miniatures. Stubs appear between folss. 28, 29, and between 29, 30. Stubs appear between folss. 43, 44, and between 48, 49. The edge of a cut folio is visible between fols. 95, 96. The folio has been cut off right at the gutter.
Position Number Leaves Quires Description
1 A 2 Fols i–ii Protection Quire
2 1 8 Fols 1–8 Quire 1
3 2 8 Fols 9–16 Quire 2
4 3 8 Fols 17–24 Quire 3
5 4 8 Fols 25–32 Stubs appear between folss. 28, 29, and between 29, 30. Quire 4: 5, stub after 4 4, stub after 5
6 5 8 Fols 33–40 Quire 5
7 6 8 Fols 41–48 Stubs appear between folss. 43, 44, and between 48, 49. Quire 6: 6, stub after 3 1, stub after 8
8 7 8 Fols 49–56 Quire 7
9 8 10 Fols 57–66 Quire 8
10 9 8 Fols 67–74 Quire 9
11 10 6 Fols 75–80 Quire 10
12 11 8 Fols 81–88 Quire 11
13 12 7 Fols 89–95 The edge of a cut folio is visible between fols. 95, 96. The folio has been cut off right at the gutter. Quire 12: 1, stub after 7
14 13 10 Fols 96–105 Quire 13
15 14 8 Fols 106–113 Quire 14
16 15 10 Fols 114–123 Quire 15
17 16 4 Fols 124–127 Quire 16

Collation diagrams


Protection Quire
Quire ID:q1, number:A
Collation diagram Quire 1 1 2 Unit #1

Quire 1
Quire ID:q2, number:1
Collation diagram Quire 2 3 10 Unit #1 Unit #2 Unit #3 Unit #4

Quire 2
Quire ID:q3, number:2
Collation diagram Quire 3 11 18 Unit #1 Unit #2 Unit #3 Unit #4

Quire 3
Quire ID:q4, number:3
Collation diagram Quire 4 19 26 Unit #1 Unit #2 Unit #3 Unit #4

Quire 4: 5, stub after 4 4, stub after 5
Quire ID:q5, number:4
Notes: 1) Stubs appear between folss. 28, 29, and between 29, 30.
Collation diagram Quire 5 27 34 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 5
Quire ID:q6, number:5
Collation diagram Quire 6 35 42 Unit #1 Unit #2 Unit #3 Unit #4

Quire 6: 6, stub after 3 1, stub after 8
Quire ID:q7, number:6
Notes: 1) Stubs appear between folss. 43, 44, and between 48, 49.
Collation diagram Quire 7 43 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 7
Quire ID:q8, number:7
Collation diagram Quire 8 51 58 Unit #1 Unit #2 Unit #3 Unit #4

Quire 8
Quire ID:q9, number:8
Collation diagram Quire 9 59 68 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 9
Quire ID:q10, number:9
Collation diagram Quire 10 69 76 Unit #1 Unit #2 Unit #3 Unit #4

Quire 10
Quire ID:q11, number:10
Collation diagram Quire 11 77 82 Unit #1 Unit #2 Unit #3

Quire 11
Quire ID:q12, number:11
Collation diagram Quire 12 83 90 Unit #1 Unit #2 Unit #3 Unit #4

Quire 12: 1, stub after 7
Quire ID:q13, number:12
Notes: 1) The edge of a cut folio is visible between fols. 95, 96. The folio has been cut off right at the gutter.
Collation diagram Quire 13 91 Unit #1 Unit #2 Unit #3 Unit #4

Quire 13
Quire ID:q14, number:13
Collation diagram Quire 14 98 107 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 14
Quire ID:q15, number:14
Collation diagram Quire 15 108 115 Unit #1 Unit #2 Unit #3 Unit #4

Quire 15
Quire ID:q16, number:15
Collation diagram Quire 16 116 125 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 16
Quire ID:q17, number:16
Collation diagram Quire 17 126 129 Unit #1 Unit #2

Ethio-SPaRe formula : A(2/Fols i–ii) – I(8/Fols 1–8) – II(8/Fols 9–16) – III(8/Fols 17–24) – IV(6+2/s.l. 5, stub after 4; s.l. 4, stub after 5/Fols 25–32) – V(8/Fols 33–40) – VI(6+2/s.l. 6, stub after 3; s.l. 1, stub after 8/Fols 41–48) – VII(8/Fols 49–56) – VIII(10/Fols 57–66) – IX(8/Fols 67–74) – X(6/Fols 75–80) – XI(8/Fols 81–88) – XII(6+1/s.l. 1, stub after 7/Fols 89–95) – XIII(10/Fols 96–105) – XIV(8/Fols 106–113) – XV(10/Fols 114–123) – XVI(4/Fols 124–127) –

Formula: Fols i–ii Protection Quire ; Fols 1–8 Quire 1 ; Fols 9–16 Quire 2 ; Fols 17–24 Quire 3 ; Fols 25–32 Quire 4: 5, stub after 4 4, stub after 5 ; Fols 33–40 Quire 5 ; Fols 41–48 Quire 6: 6, stub after 3 1, stub after 8 ; Fols 49–56 Quire 7 ; Fols 57–66 Quire 8 ; Fols 67–74 Quire 9 ; Fols 75–80 Quire 10 ; Fols 81–88 Quire 11 ; Fols 89–95 Quire 12: 1, stub after 7 ; Fols 96–105 Quire 13 ; Fols 106–113 Quire 14 ; Fols 114–123 Quire 15 ; Fols 124–127 Quire 16 ;

Formula 1: 1 (2), 2 (8), 3 (8), 4 (8), 5 (8), 6 (8), 7 (), 8 (8), 9 (10), 10 (8), 11 (6), 12 (8), 13 (), 14 (10), 15 (8), 16 (10), 17 (4),

Formula 2: 1 (2), 2 (8), 3 (8), 4 (8), 5 (8), 6 (8), 7 (), 8 (8), 9 (10), 10 (8), 11 (6), 12 (8), 13 (), 14 (10), 15 (8), 16 (10), 17 (4),

Binding

Four Coptic chain stitches attached with bridle attachments to the wooden boards, rough-hewn boards covered with tooled leather, headband and tailband.

Binding material

wood

leather

Original binding

Yes

Layout

Layout note 1

H
W
Margins
top 17-21mm
bottom 30-38mm
right 17-19mm
left 10-12mm

Ms Williams, OR, Marwick Collection, Marwick Codex 6 main part

looks ok for measures computed width is: NaNmm, object width is: 153mm, computed height is: NaNmm and object height is: 205mm.

Layout note 1(Fols 1r–113r

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)

Number of columns: 1

Number of lines: 24

Layout note 1(Fols 114r–126r

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)

Number of columns: 2

Number of lines: 24

Palaeography

  • Hand 1

    Script: Ethiopic

    Columetric layout of text: fols 104v–105r

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    (tenth biblical canticle)
  • Keywords

      Publication Statement

      authority
      Hiob-Ludolf-Zentrum für Äthiopistik
      publisher
      Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft
      pubPlace
      Hamburg
      availability

      This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.

      date
      type=expanded
      20.8.2024 at 15:25:41
      date
      type=lastModified
      12.11.2020
      idno
      type=collection
      manuscripts
      idno
      type=url
      https://betamasaheft.eu/manuscripts/EMIP00010/main
      idno
      type=URI
      https://betamasaheft.eu/EMIP00010
      idno
      type=filename
      EMIP00010.xml
      idno
      type=ID
      EMIP00010

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    Suggested citation of this record

    Jonah Sandford, Ralph Lee, Ashlee Benson, Pietro Maria Liuzzo, ʻWilliams, OR, Marwick Collection, Marwick Codex 6ʼ, in Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft (Last Modified: 2020-11-12) https://betamasaheft.eu/manuscripts/EMIP00010 [Accessed: 2024-11-03]

    To cite a precise version, please, click on load permalinks and to the desired version (see documentation on permalinks), then import the metadata or copy the below, with the correct link.

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    Revision history

    • Ashlee Benson Minor Change on 12.11.2020
    • Ashlee Benson Updated location statements on 30.10.2020
    • Ralph Lee Corrected ǝ character on 18.4.2020
    • Ralph Lee Reformatted ms items, additions and extras, and added image links on 20.3.2020
    • Ralph Lee Corrected art theme references on 7.8.2018
    • Ralph Lee Added miniatures, and extras on 29.6.2018
    • Ralph Lee Corrected titles on 28.6.2018
    • Jonah Sandford Corrected various notes re. quires on 13.6.2018
    • Jonah Sandford Added works, quire descriptions, phys descriptions, and some notes on 6.6.2018
    • Pietro Maria Liuzzo Created XML record from EMIP Collection Metadata.xsls on 18.1.2018
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    Attribution of the content

    Jonah Sandford, editor

    Ralph Lee, editor

    Ashlee Benson, editor

    Pietro Maria Liuzzo, contributor

    The initial version of this file was created from data kindly provided by the Ethiopic Manuscript Imaging Project directed by Steve Delamarter.
    This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.