Gāntā ʾAfašum, Soṭā Dabra Salām Qǝddus Mikāʾel, SDM-023
Abreham Adugna (cataloguer), Denis Nosnitsin
This manuscript description is based on the catalogues listed in the catalogue bibliography
General description
Malkǝʾa wǝddāse Māryām “Image of Praise of Mary” / Malkǝʾa ʿanqäṣä bǝrhān “Image of the Gate of Light” / Ṣalot za-ʾǝgzǝʾtǝnä Māryām ba-Dabra Golgota, Prayer of Our Lady Mary on Mount Golgotha on the 21st of Sane / Säʾalnakä mäḥari... “We have asked You, the Merciful One...”
Number of Text units: 4
Number of Codicological units: 1
For a table of all relations from and to this record, please go to the Relations view. In the Relations boxes on the right of this page, you can also find all available relations grouped by name.
Origin
Original Location: Soṭa Dabra salām Qǝddus Mikāʾel / SDM↗
19th cent. (?)Provenance
The name of the original donor has been ereased from check the viewer22v . The name of Walda Tǝnśāʾe is written on check the viewer37v , probably in a different hand over erasure. Private possession of priest Bǝrhāna Tasfāy when filmed.
Summary
- ms_i1 (check the viewer1r-18v ), Malkǝʾa wǝddāse Māryām
- ms_i2 (check the viewer18v-22r ), Malkǝʾa ʾanqaṣa bǝrhān
- ms_i3 (check the viewer22v-30v ), Ṣalot za-ʾǝgzǝʾǝtǝna Māryām ba-Dabra Golgotā
- ms_i4 (check the viewer31r-37v ), Saʾalnāka maḥari… “We have asked You, the Merciful One …”
Contents
Additions In this unit there are in total .
Extras
-
- Sketch of an ornamental band: fols. 1r, 22v, 31r. - An extensive passage of the text has been effaced from fols. 22r, 32v. - Immediate correction marked by thin lines above and below the word: check the viewerfol. 24r .
Decoration In this unit there are in total 1 .
Frame notes
- frame: - Chains of black and red dots as text dividers: check the viewer7v , 37v.
Catalogue Bibliography
-
MS Soṭā Dabra Salām Qǝddus Mikāʾel, Ethio-SPaRe
This manuscript has no restorations.
Physical Description
Form of support
Parchment Codex
Extent
Outer dimensions | |
Height | 135 |
Width | 85 |
Depth | 15 |
Foliation
Quire Structure Collation
Position | Number | Leaves | Quires | Description |
---|---|---|---|---|
1 | 10 |
|
I(10/fols. 1r-10v) | |
2 | 10 |
|
II(10/fols. 11r-20v) | |
3 | 10 |
|
III(10/fols. 21r-30v) | |
4 | 8 |
|
IV(8/fols. 31r-38v) |
Collation diagrams
I(10/fols. 1r-10v)
Quire ID:q1
II(10/fols. 11r-20v)
Quire ID:q2
III(10/fols. 21r-30v)
Quire ID:q3
IV(8/fols. 31r-38v)
Quire ID:q4
Ethio-SPaRe formula : I(10/
Formula:
Formula 1: 1 (10), 2 (10), 3 (10), 4 (8),
Formula 2: 1 (10), 2 (10), 3 (10), 4 (8),
State of preservation
good
Condition
Binding
Two wooden (or leather?) boards hidden under the secondary textile cover. Two pairs of sewing stations.
Binding decoration
Small holes are visible in the centre fold of the quires, close to the head and the tail of the codex.
Binding material
wood
Original binding
No
Layout
Layout note 1
Number of columns: 1
Number of lines: 15
H | 80mm |
W | 58mm |
Intercolumn | mm |
Margins | |
top | 18 |
bottom | 36 |
right | 15 |
left | 8 |
intercolumn |
Ms Gāntā ʾAfašum, Soṭā Dabra Salām Qǝddus Mikāʾel, SDM-023 main part
looks ok for measures computed width is: 81mm, object width is: 85mm, computed height is: 134mm and object height is: 135mm.Layout note 1
Ruling
- (Subtype: pattern) Ruling pattern: 1A-1A/0-0/0-0/C.
- The upper line is written above the ruling.
- The bottom line is written above the ruling.
Pricking
- Pricking and ruling are visible.
- Primary pricks are visible.
- Ruling pricks are visible.
Palaeography
Hand 1
Script: Ethiopic
FineThe quality of the handwriting changes starting from ca. check the viewer24r : from thin, broadly spaced script, to a more densely spaced script with thicker vertical lines.
Ink: Black, red (luminous vivid scarlet, vivid raspberry, strong red)
Rubrication: Nomina sacra; a few lines on the incipit page of Texts I, III, IV alternating with black lines; incipit of Text II; incipits of the daily readings of Text I; parts of abbreviations; elements of the punctuation signs; elements of Ethiopic numerals; some other words like täzäkkär (e.g., fols. 23v, 24r), amǝḥǝläkä (fol. 25r).
Date: 19th century (?)
Gabra Takla Hāymānot is mentioned as the scribe on check the viewer37v .19th century (?)Abbreviations
Hand 2
Script: Ethiopic
It cannot be excluded that two scribes took part in writing.Check for additional bibliography
Publication Statement
Encoding Description
Encoded according to TEI P5 Guidelines.
Encoded according to the Beta maṣāḥǝft Guidelines. These Guidelines detail the TEI format ruled by the Beta maṣāḥǝft Schema. The present TEI file is enriched with an Xquery transformation taking advantage of the exist-db database instance where the data is stored and of the many external resources to which this data points to.
Definitions of prefixes used.
Select one of the keywords listed from the record to see related data
Use the tag BetMas:ESsdm023 in your public hypothes.is annotations which refer to this entity.
Suggested Citation of this record
To cite a precise version, please, click on load permalinks and to the desired version (see documentation on permalinks), then import the metadata or copy the below, with the correct link.
Abreham Adugna, Denis Nosnitsin, Alessandro Bausi, Pietro Maria Liuzzo, Eugenia Sokolinski, ʻGāntā ʾAfašum, Soṭā Dabra Salām Qǝddus Mikāʾel, SDM-023ʼ, in Alessandro Bausi, ed., Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft (Last Modified: 2024-02-20) https://betamasaheft.eu/manuscripts/ESsdm023 [Accessed: 2024-05-15]
Revisions of the data
- Eugenia Sokolinski adjusted to schema, no person ID provided on 20.2.2024
- Pietro Maria Liuzzo added missing extras from domlib on 25.4.2019
- Pietro Maria Liuzzo transformed from mycore to TEI P5 on 10.5.2016
- Denis Nosnitsin last edited in Ethio-SPaRe on 10.2.2015
- Abreham Adugna catalogued in Ethio-SPaRe on 25.7.2014
- Ethio-SPaRe team photographed the manuscript on 20.5.2011
Attributions of the contents
Alessandro Bausi, general editor
Abreham Adugna, editor
Denis Nosnitsin, editor
Pietro Maria Liuzzo, contributor
Eugenia Sokolinski, contributor