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Descriptions of (predominantly) Christian manuscripts from Ethiopia and Eritrea are the core of the Beta maṣāḥǝft project. We (1) gradually encode descriptions from printed catalogues, beginning from the historical ones, (2) incorporate digital descriptions produced by other projects, adjusting them wherever possible, and (3) produce descriptions of previously unknown and/or uncatalogued manuscripts. The encoding follows the TEI XML standards (check our guidelines).
We identify each unit of content in every manuscript. We consider any text with an independent circulation a work, with its own identification number within the Clavis Aethiopica (CAe). Parts of texts (e.g. chapters) without independent circulation (univocally identifiable by IDs assigned within the records) or recurrent motifs as well as documentary additional texts (identified as Narrative Units) are not part of the CAe. You can also check the list of different types of text titles or various Indexes available from the top menu.
The clavis is a repertory of all known works relevant for the Ethiopian and Eritrean tradition; the work being defined as any text with an independent circulation. Each work (as well as known recensions where applicable) receives a unique identifier in the Clavis Aethiopica (CAe). In the filter search offered here one can search for a work by its title, a keyword, a short quotation, but also directly by its CAe identifier - or, wherever known and provided, identifier used by other claves, including Bibliotheca Hagiographica Graeca (BHG), Clavis Patrum Graecorum (CPG), Clavis Coptica (CC), Clavis Apocryphorum Veteris Testamenti (CAVT), Clavis Apocryphorum Novi Testamenti (CANT), etc. The project additionally identifies Narrative Units to refer to text types, where no clavis identification is possible or necessary. Recurring motifs or also frequently documentary additiones are assigned a Narrative Unit ID, or thematically clearly demarkated passages from various recensions of a larger work. This list view shows the documentary collections encoded by the project Ethiopian Manuscript Archives (EMA) and its successor EthioChrisProcess - Christianization and religious interactions in Ethiopia (6th-13th century) : comparative approaches with Nubia and Egypt, which aim to edit the corpus of administrative acts of the Christian kingdom of Ethiopia, for medieval and modern periods. See also the list of documents contained in the additiones in the manuscripts described by the Beta maṣāḥǝft project . Works of interest to Ethiopian and Eritrean studies.
While encoding manuscripts, the project Beta maṣāḥǝft aims at creating an exhaustive repertory of art themes and techniques present in Ethiopian and Eritrean Christian tradition. See our encoding guidelines for details. Two types of searches for aspects of manuscript decoration are possible, the decorations filtered search and the general keyword search.
The filtered search for decorations, originally designed with Jacopo Gnisci, looks at decorations and their features only. The filters on the left are relative only to the selected features, reading the legends will help you to figure out what you can filter. For example you can search for all encoded decorations of a specific art theme, or search the encoded legends. If the decorations are present, but not encoded, you will not get them in the results. If an image is available, you will also find a thumbnail linking to the image viewer. [NB: The Index of Decorations currently often times out, we are sorry for the inconvenience.] You can search for particular motifs or aspects, including style, also through the keyword search. Just click on "Art keywords" and "Art themes" on the left to browse through the options. This is a short cut to a search for all those manuscripts which have miniatures of which we have images.
We create metadata for all places associated with the manuscript production and circulation as well as those mentioned in the texts used by the project. The encoding of places in Beta maṣāḥǝft will thus result in a Gazetteer of the Ethiopian tradition. We follow the principles established by Pleiades and lined out in the Syriaca.org TEI Manual and Schema for Historical Geography which allow us to distinguish between places, locations, and names of places. See also Help page fore more guidance.
This tab offers a filtrable list of all available places. Geographical references of the type "land inhabited by people XXX" is encoded with the reference to the corresponding Ethnic unit (see below); ethnonyms, even those used in geographical contexts, do not appear in this list. Repositories are those locations where manuscripts encoded by the project are or used to be preserved. While they are encoded in the same way as all places are, the view offered is different, showing a list of manuscripts associated with the repository.
We create metadata for all persons (and groups of persons) associated with the manuscript production and circulation (rulers, religious authorities, scribes, donors, and commissioners) as well as those mentioned in the texts used by the project. The result will be a comprehensive Prosopography of the Ethiopian and Eritrean tradition. See also Help page for more guidance.
We encode persons according to our Encoding Guidelines. The initial list was inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix. We consider ethnonyms as a subcategory of personal names, even when many are often used in literary works in the context of the "land inhabited by **". The present list of records has been mostly inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix.
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Rome, Biblioteca dell’Accademia Nazionale dei Lincei, Conti Rossini 4

Dorothea Reule

This manuscript description is based on the catalogues listed in the Catalogue Bibliography

Stub
https://betamasaheft.eu/ANLcr4
Biblioteca dell’Accademia Nazionale dei Lincei[view repository]

Collection:

General description

Anaphora of Mark

Number of Text units: 1

Number of Codicological units: 1

For a table of all relations from and to this record, please go to the Relations view. In the Relations boxes on the right of this page, you can also find all available relations grouped by name.

Origin

1800-1899

Provenance

The manuscript was either acquired by Carlo Conti Rossini owner during his stay in Eritrea (1899–1903 ) or sent to him after his return to Europe. It is possible that it was copied by [!]The certainty about the value of is not set.Carlo Conti Rossini scribe ? himself.

Acquisition

The manuscript passed into the possession of the library in 1950 , following Conti Rossini’s death in 1949 (see Menestrel).

Summary

  1. ms_i1 (check the viewerFols 2r–23r ), Anaphora of Mark

Contents


check the viewerFols 2r–23r Anaphora of Mark (CAe 1102)

Language of text:

Incipit (Gǝʿǝz ): አኮቴተ፡ ቁርባን፡ ዘቅዱስ፡ ማርቆስ፡ ሐዋርያ፡ ዜናዊ፡ ሊቀ፡ ጳጳሳት፡ ዘሀገረ፡ እስክ<ን>ድርያ፡ በረከተ፡ ጸሎቱ፡ የሃሉ፡ ምስሌነ፡ ለዓለመ፡ ዓለም፡ አሜን። ። ። ነአኵተከ፡ እግዚእ፡ ላዕለ፡ ኵሉ፡ ግብር። ነአኵተከ፡ እግዚአብሔር፡ አምላክነ፡ እግዚእነ፡ ወመድኃኒነ፡ ኢየሱስ፡ ክርስቶስ።

Explicit (Gǝʿǝz ): ወለከ፡ ይደሉ፡ ስብሐት፡ ምስለ፡ አቡከ፡ ኄር፡ ወመንፈስ፡ ቅዱስ፡ ማሕየዊ፡ እምይእዜ፡ ወእስከ፡ ለዓለመ፡ ዓለም፡ አሜን፡ አንብሮ፡ እድ፡ ዘኢጲፋንዮስ፡ ። በል።

Additions In this unit there are in total 1 .

    Extras

    1. check the viewerFols 1r and following

      Corrections have been carried out and omissions have been added throughout the manuscript in black ink, black pencil, purple ink (check the viewerfolss. 10v, 13v, 22v, ), and red ink (check the viewer14v, 19r ).

    2. check the viewerFol. 1v (Type: StampExlibris)

      Ex libris CCR owner

    3. The mention of King Fāsiladas on check the viewerfols. 4r, 11v suggests that the manuscript was copied from an exemplar dating to his reign.

    Catalogue Bibliography

    • Strelcyn, S. 1976. Catalogue des manuscrits éthiopiens de l’Accademia Nazionale dei Lincei: Fonds Conti Rossini et Fonds Caetani 209, 375, 376, 377, 378, Indici e Sussidi Bibliografici della Biblioteca, 9 (Roma: Accademia Nazionale dei Lincei, 1976). page IX; 17

    Physical Description

    Form of support

    Paper Notebook

    Extent

    40 (leaf) , Entered as 40 19 (leaf, blank) : Entered as 19 check the viewerFols 1r–1v, check the viewerFols 23v–40v 130 90
    Outer dimensions
    Height 130mm
    Width 90mm

    Binding

    The notebook has a cardboard cover.

    Binding material

    cardboard

    Layout

    Layout note 1

    Number of lines: 13

    Ruling
    • The notebook is ruled in red.

    Palaeography

  1. Hand 1

    Script: Ethiopic

    Ink: Black, red.

    Neat hand.
    • Publication Statement

      authority
      Hiob-Ludolf-Zentrum für Äthiopistik
      publisher
      Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft
      pubPlace
      Hamburg
      availability
      This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.
      date
      type=expanded
      17.12.2024 at 11:37:48
      date
      type=lastModified
      10.12.2024
      idno
      type=collection
      manuscripts
      idno
      type=url
      https://betamasaheft.eu/manuscripts/ANLcr4/main
      idno
      type=URI
      https://betamasaheft.eu/ANLcr4
      idno
      type=filename
      ANLcr4.xml
      idno
      type=ID
      ANLcr4

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    Suggested citation of this record

    Dorothea Reule, ʻRome, Biblioteca dell’Accademia Nazionale dei Lincei, Conti Rossini 4 (encoded from the catalogue)ʼ, in Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft (Last Modified: 2024-12-10) https://betamasaheft.eu/manuscripts/ANLcr4 [Accessed: 2024-12-23]

    To cite a precise version, please, click on load permalinks and to the desired version (see documentation on permalinks), then import the metadata or copy the below, with the correct link.

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    Revision history

    • Dorothea Reule Created record on the basis of the catalogue description. on 10.12.2024
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    Attribution of the content

    Alessandro Bausi, general editor

    Dorothea Reule, editor

    This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.