Here you can explore some general information about the project. See also Beta maṣāḥəft institutional web page. Select About to meet the project team and our partners. Visit the Guidelines section to learn about our encoding principles. The section Data contains the Linked Open Data information, and API the Application Programming Interface documentation for those who want to exchange data with the Beta maṣāḥǝft project. The Permalinks section documents the versioning and referencing earlier versions of each record.
Click to get back to the home page. Here you can find out more about the project team, the cooperating projects, and the contact information. You can also visit our institutional page. Find out more about our Encoding Guidelines. In this section our Linked Open Data principles are explained. Developers can find our Application Programming Interface documentation here. The page documents the use of permalinks by the project.
Descriptions of (predominantly) Christian manuscripts from Ethiopia and Eritrea are the core of the Beta maṣāḥǝft project. We (1) gradually encode descriptions from printed catalogues, beginning from the historical ones, (2) incorporate digital descriptions produced by other projects, adjusting them wherever possible, and (3) produce descriptions of previously unknown and/or uncatalogued manuscripts. The encoding follows the TEI XML standards (check our guidelines).
We identify each unit of content in every manuscript. We consider any text with an independent circulation a work, with its own identification number within the Clavis Aethiopica (CAe). Parts of texts (e.g. chapters) without independent circulation (univocally identifiable by IDs assigned within the records) or recurrent motifs as well as documentary additional texts (identified as Narrative Units) are not part of the CAe. You can also check the list of different types of text titles or various Indexes available from the top menu.
The clavis is a repertory of all known works relevant for the Ethiopian and Eritrean tradition; the work being defined as any text with an independent circulation. Each work (as well as known recensions where applicable) receives a unique identifier in the Clavis Aethiopica (CAe). In the filter search offered here one can search for a work by its title, a keyword, a short quotation, but also directly by its CAe identifier - or, wherever known and provided, identifier used by other claves, including Bibliotheca Hagiographica Graeca (BHG), Clavis Patrum Graecorum (CPG), Clavis Coptica (CC), Clavis Apocryphorum Veteris Testamenti (CAVT), Clavis Apocryphorum Novi Testamenti (CANT), etc. The project additionally identifies Narrative Units to refer to text types, where no clavis identification is possible or necessary. Recurring motifs or also frequently documentary additiones are assigned a Narrative Unit ID, or thematically clearly demarkated passages from various recensions of a larger work. This list view shows the documentary collections encoded by the project Ethiopian Manuscript Archives (EMA) and its successor EthioChrisProcess - Christianization and religious interactions in Ethiopia (6th-13th century) : comparative approaches with Nubia and Egypt, which aim to edit the corpus of administrative acts of the Christian kingdom of Ethiopia, for medieval and modern periods. See also the list of documents contained in the additiones in the manuscripts described by the Beta maṣāḥǝft project . Works of interest to Ethiopian and Eritrean studies.
While encoding manuscripts, the project Beta maṣāḥǝft aims at creating an exhaustive repertory of art themes and techniques present in Ethiopian and Eritrean Christian tradition. See our encoding guidelines for details. Two types of searches for aspects of manuscript decoration are possible, the decorations filtered search and the general keyword search.
The filtered search for decorations, originally designed with Jacopo Gnisci, looks at decorations and their features only. The filters on the left are relative only to the selected features, reading the legends will help you to figure out what you can filter. For example you can search for all encoded decorations of a specific art theme, or search the encoded legends. If the decorations are present, but not encoded, you will not get them in the results. If an image is available, you will also find a thumbnail linking to the image viewer. [NB: The Index of Decorations currently often times out, we are sorry for the inconvenience.] You can search for particular motifs or aspects, including style, also through the keyword search. Just click on "Art keywords" and "Art themes" on the left to browse through the options. This is a short cut to a search for all those manuscripts which have miniatures of which we have images.
We create metadata for all places associated with the manuscript production and circulation as well as those mentioned in the texts used by the project. The encoding of places in Beta maṣāḥǝft will thus result in a Gazetteer of the Ethiopian tradition. We follow the principles established by Pleiades and lined out in the Syriaca.org TEI Manual and Schema for Historical Geography which allow us to distinguish between places, locations, and names of places. See also Help page fore more guidance.
This tab offers a filtrable list of all available places. Geographical references of the type "land inhabited by people XXX" is encoded with the reference to the corresponding Ethnic unit (see below); ethnonyms, even those used in geographical contexts, do not appear in this list. Repositories are those locations where manuscripts encoded by the project are or used to be preserved. While they are encoded in the same way as all places are, the view offered is different, showing a list of manuscripts associated with the repository.
We create metadata for all persons (and groups of persons) associated with the manuscript production and circulation (rulers, religious authorities, scribes, donors, and commissioners) as well as those mentioned in the texts used by the project. The result will be a comprehensive Prosopography of the Ethiopian and Eritrean tradition. See also Help page for more guidance.
We encode persons according to our Encoding Guidelines. The initial list was inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix. We consider ethnonyms as a subcategory of personal names, even when many are often used in literary works in the context of the "land inhabited by **". The present list of records has been mostly inherited from the Encyclopaedia Aethiopica, and there are still many inconsistencies that we are trying to gradually fix.
This section collects some additional resources offered by the project. Select Bibliography to explore the references cited in the project records. The Indexes list different types of project records (persons, places, titles, keywords, etc). Visit Projects for information on partners that have input data directly in the Beta maṣāḥǝft database. Special ways of exploring the data are offered under Visualizations. Two applications were developed in cooperation with the project TraCES, the Gǝʿǝz Morphological Parser and the Online Lexicon Linguae Aethiopicae.
Help

You are looking at work in progress version of this website. For questions contact the dev team.

Hover on words to see search options.

Double-click to see morphological parsing.

Click on left pointing hands and arrows to load related items and click once more to view the result in a popup.

Do you want to notify us of an error, please do so by writing an issue in our GitHub repository (click the envelope for a precomiled one).
On small screens, will show a navigation bar on the leftOpen Item Navigation
Edit Not sure how to do this? Have a look at the Beta maṣāḥǝft Guidelines!
Hide pointersClick here to hide or show again the little arrows and small left pointing hands in this page.
Hide relatedClick here to hide or show again the right side of the content area, where related items and keywords are shown.
EntryMain Entry
TEI/XMLDownload an enriched TEI file with explicit URIs bibliography from Zotero API.
SyntaxeSee graphs of the information available. If the manuscript contains relevant information, then you will see visualizations based on La Syntaxe du Codex, by Andrist, Canart and Maniaci.
RelationsFurther visualization of relational information
TranscriptionTranscription (as available). Do you have a transcription you want to contribute? Contact us or click on EDIT and submit your contribution.
ImagesManuscript images in the Mirador viewer via IIIF

Belmont, MA, , Alwan Codex 12

Jonah Sandford, Ralph Lee, Ashlee Benson

EMIP, EMIP

Work in Progress
https://betamasaheft.eu/EMIP00126
Alwan Collection[view repository]

Collection: EMIP

Other identifiers: Ethiopic Manuscript Imaging Project EMIP 126

General description

Alwan Codex 12

Number of Text units: 9

Number of Codicological units: 1

For a table of all relations from and to this record, please go to the Relations view. In the Relations boxes on the right of this page, you can also find all available relations grouped by name.

Origin

late-eighteenth century

Summary

Psalter, ዳዊት፡; Image of David, Mälk‘a Dawit, መልክአ፡ ዳዊት፡; Excerpt of Horologium for the Night Hours of Abba Giyorgis, ሰዓታት፡ ዘአባ፡ ጊዮርጊስ፡; Image of the Praises of Mary, መልክአ፡ ውዳሴ፡
  1. ms_i1 (Fols 1r–148r

    Images relevant for EMIP00126#ms_i1, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 1r to f. 148r

    Open with Mirador Viewer

    ), Psalter
    1. ms_i1.1 (Fols 1r–94v

      Images relevant for EMIP00126#ms_i1_1, from EMIP/Codices/126/

      You are viewing a sequence of images from f. 1r to f. 94v

      Open with Mirador Viewer

      ), Mazmura Dāwit
    2. ms_i1.2 (Fols 94v–104r

      Images relevant for EMIP00126#ms_i1_2, from EMIP/Codices/126/

      You are viewing a sequence of images from f. 94v to f. 104r

      Open with Mirador Viewer

      ), Book of Odes
    3. ms_i1.3 (Fols 105r–111v

      Images relevant for EMIP00126#ms_i1_3, from EMIP/Codices/126/

      You are viewing a sequence of images from f. 105r to f. 111v

      Open with Mirador Viewer

      ), Song of Songs
    4. ms_i1.4 (Fols 112ra–123ra

      Images relevant for EMIP00126#ms_i1_4, from EMIP/Codices/126/

      You are viewing a sequence of images from f. 112ra to f. 123ra

      Open with Mirador Viewer

      ), Wǝddāse Māryām
    5. ms_i1.5 (Fols 123ra–126vb

      Images relevant for EMIP00126#ms_i1_5, from EMIP/Codices/126/

      You are viewing a sequence of images from f. 123ra to f. 126vb

      Open with Mirador Viewer

      ), ʾAnqaṣa bǝrhān
  2. ms_i2 (Fols 112r–114r

    Images relevant for EMIP00126#ms_i2, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 112r to f. 114r

    Open with Mirador Viewer

    ), Hymn to David
  3. ms_i3 (Fols 114r–114v

    Images relevant for EMIP00126#ms_i3, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 114r to f. 114v

    Open with Mirador Viewer

    ), Maṣḥafa saʿātāt
  4. ms_i4 (Fols 127r–132r

    Images relevant for EMIP00126#ms_i4, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 127r to f. 132r

    Open with Mirador Viewer

    ), Malkǝʾa wǝddāse Māryām

Contents


Fols 1r–148r

Images relevant for Belmont, MA, , Alwan Codex 12, (in ms_i1), from EMIP/Codices/126/

You are viewing a sequence of images from f. 1r to f. 148r

Open with Mirador Viewer

Psalter (CAe 2701)

Fols 1r–94v

Images relevant for Belmont, MA, , Alwan Codex 12, ms_i1_1, from EMIP/Codices/126/

You are viewing a sequence of images from f. 1r to f. 94v

Open with Mirador Viewer

Mazmura Dāwit (CAe 2000) Mazmura Dāwit, Psalm 118 including the Spritual Meaning of the Hebrew Letters

Fols 94v–104r

Images relevant for Belmont, MA, , Alwan Codex 12, ms_i1_2, from EMIP/Codices/126/

You are viewing a sequence of images from f. 94v to f. 104r

Open with Mirador Viewer

Book of Odes (CAe 1828)

Fols 105r–111v

Images relevant for Belmont, MA, , Alwan Codex 12, ms_i1_3, from EMIP/Codices/126/

You are viewing a sequence of images from f. 105r to f. 111v

Open with Mirador Viewer

Song of Songs (CAe 2362) The variant form known as ǝbǝrayǝsṭ, or Hebraic version

Fols 112ra–123ra

Images relevant for Belmont, MA, , Alwan Codex 12, ms_i1_4, from EMIP/Codices/126/

You are viewing a sequence of images from f. 112ra to f. 123ra

Open with Mirador Viewer

Wǝddāse Māryām (CAe 2509) arranged for the days of the week

Fols 123ra–126vb

Images relevant for Belmont, MA, , Alwan Codex 12, ms_i1_5, from EMIP/Codices/126/

You are viewing a sequence of images from f. 123ra to f. 126vb

Open with Mirador Viewer

ʾAnqaṣa bǝrhān (CAe 1113)

Fols 112r–114r

Images relevant for Belmont, MA, , Alwan Codex 12, (in ms_i2), from EMIP/Codices/126/

You are viewing a sequence of images from f. 112r to f. 114r

Open with Mirador Viewer

Hymn to David (CAe 3052)

Incipit (Gǝʿǝz ): እምሥርወ፡ ዕሴይ፡ እስመ፡ ሠረፅከ፡ እማኅፀና፡ ለሩት። ናስተበፅዓከ፡ ዘለፈ፡ በንባበ፡ ዝንቱ፡ ስብሐት።
ኦ፡ ብፁዕል ንጉሠ፡ እስራኤል፤ ዳዊት።
እስመ ተከሥተ፡ ወተረክበ፡፡ባሕርየ፡ ውሣባይ፡ ሕይወ፡ እመዝገበ፡ ክርሣ፡ ለማርያም፡ ዘለከ፡ ወለት፡. . . . .ommission by


Fols 114r–114v

Images relevant for Belmont, MA, , Alwan Codex 12, (in ms_i3), from EMIP/Codices/126/

You are viewing a sequence of images from f. 114r to f. 114v

Open with Mirador Viewer

Maṣḥafa saʿātāt (CAe 3575)

Fols 127r–132r

Images relevant for Belmont, MA, , Alwan Codex 12, (in ms_i4), from EMIP/Codices/126/

You are viewing a sequence of images from f. 127r to f. 132r

Open with Mirador Viewer

Malkǝʾa wǝddāse Māryām (CAe 1869)

Incipit (Gǝʿǝz ): Incipit for Monday: ፈቀደ፡ እግዚእ፡ ለአዳም፡ ያግዞ፡
ሥጋኪ፡ ንጹሐ፡ አመ፡ ረሰየ፡ አራዞ፡
ማርያም፡ ዕፍረት፡ ለምሕረት፡ ወለናዝዞ፡
ይቅብአኒ፡ ዕፍረተ፡ ጽድቅ፡ ወይምእዘኒ፡ አምዕዞ፡
የማነ፡ ዕዴኪ፡ እዴየ፡ እኂዞ፡

Incipit (Gǝʿǝz ): Incipit for Wednesday f. 129, col. 2, line 2 ): ሕዝቅኤል፡ ነቢይ፡ በእንቲአኪ፡ እንዘ፡ ይብል፡ ጸርሐ፡
ርኢኩ፡ ኆኅተ፡ በምሥራቅ፡ ዘኅቱም፡ መናሥግቲሃ፡
ማርያም፡ ድንግል፡ ዘትሠረገዊ፡ ንጽሐ፡
ለዝክረ፡ ስምኪ፡ ይትፌሣ[ሕ] ፡ ፍሥሐ፡
ከመ፡ ዘረከበ፡ ምህርካ፡ ብዙኃ፡

Additions In this unit there are in total .

  1. f. 127r, top : Excerpt of Wǝddāse Māryām (CAe 2509) for Monday.

  2. f. 127r bottom : Excerpt of Malkǝʾa Mikāʾel (CAe 2835)

  3. Fols. 127v, 128r One Miracle of Michael, Tä’ammǝrä Mika’el, How God gave wealth to a certain man who had honored the feast day of Saint Michael though his farm had been destroyed by a devouring worm.

  4. f. 128r col. 2 : Instructions for prayer and anointing in time of dispute and for protection when the enemy comes.

  5. The manuscript contains the following marginalia: f. 95v top margin : Note about canticle two, the Prayer of Moses f. 95v, top margin : Note about canticle two, the Prayer of Moses. f. 99r, top margin : Note about canticle six, the Prayer of Manasseh. f. 103r, top margin : Note about canticle twelve, the Prayer of Isaiah. f. 105v, top margin

    Images relevant for Belmont, MA, , Alwan Codex 12, no id a5, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 105v to f. 106v

    Open with Mirador Viewer

    : Note on the meaning of the Song of Songs. 112r–113v,

    Images relevant for Belmont, MA, , Alwan Codex 12, no id a5, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 112r to f. 113v

    Open with Mirador Viewer

    : marginal notation. check the viewerir(ecto), , 132v–133v

    Images relevant for Belmont, MA, , Alwan Codex 12, no id a5, from EMIP/Codices/126/

    You are viewing a sequence of images from f. 132v to f. 133v

    Open with Mirador Viewer

    : Scrawls.

Extras

  1. Scribal intervention: words of text are written interlinearly folss. 9r, 65v, 77r, 92v, 106r, etc.); and lines of text are written interlinearly 105v, ); and in the upper margin with a symbol (I) marking the location where the text is to be inserted f. 20v, line 2 ); erasure markings are visible 106r, 121 ).

  2. The scribe regularly has to complete a line of text on another line. Much of the problem is addressed through the selection of an appropriate aspect ratio for the codex combined with an appropriate script size. But #where the line of text is still too long, the scribe completes the line of text above or below the end of the line (throughout)

Decoration In this unit there are in total 8 s, 1 .

Frame notes

  1. frame: Decorative designs: folss. 1r, 82v, (a line of alternating red and black dots and a line of full stops); 6r, 11v, 17r, 24v, 31r, 51v, 58r, 84v, 89v, 111v, (a line of alternating red and black dots); 35v, (red and black x); 94v, (a line of full stops between two lines of alternating red and black dots); 114r, 123r, 132r, (a line of full stops); 123r (red and black haräg).

Miniatures notes

  1. miniature: Fol. iv(erse)

    The Madonna and Child, Virgin and Child

  2. miniature: Fol. iir(ector)

    St George of Lydda and the Dragon, Holy Man Portrait

  3. miniature: Fol. iiir(ecto)

    Holy Man Holy Man Portrait

  4. miniature: Fol. 18v

    Mary Enthroned, with members of the Trinity Coronation of Mary

  5. miniature: Fol. 43r

    Gabra Manfas Qǝddus Holy Man Portrait

  6. miniature: Fol. 62v

    The Annunciation, Annunciation

  7. miniature: Fol. 104v

    A miniature of Nativity of Jesus

  8. miniature: Fol. 131r

    Luke Holy Man Portrait

Physical Description

Form of support

Parchment Codex

Extent

+NaN (leaf) .Entered as ii + 133 +NaN (quire) .Entered as Protection sheet + 17 143 94
Outer dimensions
Height 143mm
Width 94mm
Depth mm

Quire Structure Collation

Quire descriptions: protection sheet and quires 2–12 and 14 balanced; quires 1, 13 and 15–16 adjusted balanced; quire 17 unbalanced. Navigation system: white thread sewn into the fore edge of fols. ii, to indicate location of illuminations; gold thread sewn into the fore edge of 1, 19, 42, 63, 105, 130 to indicate location of illuminations. Fol. 6 has been sewn onto a stub. Quire 11 has become almost completely separated from the stitching. Two stubs appear between fols. 104, 105. Stubs appear between folss. 116, 117, and between 121, 122. Two stubs appear between fols. 122, 123. Fols. 132, is composed of a long stub from 131, (about half a folio) and a piece to complete the proper length of the folio. 133, is sewn onto 132.
Position Number Leaves Quires Description
1 a 2 Fols i–ii Protection Sheet
2 1 8 Fols 1–8 Fol. 6 has been sewn onto a stub. Quire 1
3 2 10 Fols 9–18 Quire 2
4 3 8 Fols 19–26 Quire 3
5 4 8 Fols 27–34 Quire 4
6 5 8 Fols 35–42 Quire 5
7 6 8 Fols 43–50 Quire 6
8 7 6 Fols 51–56 Quire 7
9 8 6 Fols 57–62 Quire 8
10 9 8 Fols 63–70 Quire 9
11 10 8 Fols 71–78 Quire 10
12 11 10 Fols 79–88 Quire 11 has become almost completely separated from the stitching. Quire 11
13 12 8 Fols 89–96 Quire 12
14 13 8 Fols 97–104 Two stubs appear between fols. 104, 105. Quire 13: 1, stub after 8 2, stub after 8
15 14 10 Fols 105–114 Quire 14
16 15 8 Fols 115–122 Stubs appear between folss. 116, 117, and between 121, 122. Quire 15: 2, stub after 7 7, stub after 2
17 16 8 Fols 123–130 Two stubs appear between fols. 122, 123. Quire 16: 8, stub before 1 7, stub before 1
18 17 3 Fols 131–133 Fols. 132, is composed of a long stub from 131, (about half a folio) and a piece to complete the proper length of the folio. 133, is sewn onto 132. Quire 17: 3 added

Collation diagrams


Protection Sheet
Quire ID:q1, number:a
Collation diagram Quire 1 1 2 Unit #1

Quire 1
Quire ID:q2, number:1
Notes: 1) Fol. 6 has been sewn onto a stub.
Collation diagram Quire 2 3 10 Unit #1 Unit #2 Unit #3 Unit #4

Quire 2
Quire ID:q3, number:2
Collation diagram Quire 3 11 20 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 3
Quire ID:q4, number:3
Collation diagram Quire 4 21 28 Unit #1 Unit #2 Unit #3 Unit #4

Quire 4
Quire ID:q5, number:4
Collation diagram Quire 5 29 36 Unit #1 Unit #2 Unit #3 Unit #4

Quire 5
Quire ID:q6, number:5
Collation diagram Quire 6 37 44 Unit #1 Unit #2 Unit #3 Unit #4

Quire 6
Quire ID:q7, number:6
Collation diagram Quire 7 45 52 Unit #1 Unit #2 Unit #3 Unit #4

Quire 7
Quire ID:q8, number:7
Collation diagram Quire 8 53 58 Unit #1 Unit #2 Unit #3

Quire 8
Quire ID:q9, number:8
Collation diagram Quire 9 59 64 Unit #1 Unit #2 Unit #3

Quire 9
Quire ID:q10, number:9
Collation diagram Quire 10 65 72 Unit #1 Unit #2 Unit #3 Unit #4

Quire 10
Quire ID:q11, number:10
Collation diagram Quire 11 73 80 Unit #1 Unit #2 Unit #3 Unit #4

Quire 11
Quire ID:q12, number:11
Notes: 1) Quire 11 has become almost completely separated from the stitching.
Collation diagram Quire 12 81 90 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 12
Quire ID:q13, number:12
Collation diagram Quire 13 91 98 Unit #1 Unit #2 Unit #3 Unit #4

Quire 13: 1, stub after 8 2, stub after 8
Quire ID:q14, number:13
Notes: 1) Two stubs appear between fols. 104, 105.
Collation diagram Quire 14 99 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 14
Quire ID:q15, number:14
Collation diagram Quire 15 107 116 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 15: 2, stub after 7 7, stub after 2
Quire ID:q16, number:15
Notes: 1) Stubs appear between folss. 116, 117, and between 121, 122.
Collation diagram Quire 16 117 124 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 16: 8, stub before 1 7, stub before 1
Quire ID:q17, number:16
Notes: 1) Two stubs appear between fols. 122, 123.
Collation diagram Quire 17 132 Unit #1 Unit #2 Unit #3 Unit #4 Unit #5

Quire 17: 3 added
Quire ID:q18, number:17
Notes: 1) Fols. 132, is composed of a long stub from 131, (about half a folio) and a piece to complete the proper length of the folio. 133, is sewn onto 132.
Collation diagram Quire 18 135 Unit #1 Unit #2

Ethio-SPaRe formula : a(2/Fols i–ii) – I(8/Fols 1–8) – II(10/Fols 9–18) – III(8/Fols 19–26) – IV(8/Fols 27–34) – V(8/Fols 35–42) – VI(8/Fols 43–50) – VII(6/Fols 51–56) – VIII(6/Fols 57–62) – IX(8/Fols 63–70) – X(8/Fols 71–78) – XI(10/Fols 79–88) – XII(8/Fols 89–96) – XIII(6+2/s.l. 1, stub after 8; s.l. 2, stub after 8/Fols 97–104) – XIV(10/Fols 105–114) – XV(6+2/s.l. 2, stub after 7; s.l. 7, stub after 2/Fols 115–122) – XVI(6+2/s.l. 8, stub before 1; s.l. 7, stub before 1/Fols 123–130) – XVII(3/Fols 131–133) –

Formula: Fols i–ii Protection Sheet ; Fols 1–8 Quire 1 ; Fols 9–18 Quire 2 ; Fols 19–26 Quire 3 ; Fols 27–34 Quire 4 ; Fols 35–42 Quire 5 ; Fols 43–50 Quire 6 ; Fols 51–56 Quire 7 ; Fols 57–62 Quire 8 ; Fols 63–70 Quire 9 ; Fols 71–78 Quire 10 ; Fols 79–88 Quire 11 ; Fols 89–96 Quire 12 ; Fols 97–104 Quire 13: 1, stub after 8 2, stub after 8 ; Fols 105–114 Quire 14 ; Fols 115–122 Quire 15: 2, stub after 7 7, stub after 2 ; Fols 123–130 Quire 16: 8, stub before 1 7, stub before 1 ; Fols 131–133 Quire 17: 3 added ;

Formula 1: 1 (2), 2 (8), 3 (10), 4 (8), 5 (8), 6 (8), 7 (8), 8 (6), 9 (6), 10 (8), 11 (8), 12 (10), 13 (8), 14 (), 15 (10), 16 (8), 17 (8), 18 (3, +3),

Formula 2: 1 (2), 2 (8), 3 (10), 4 (8), 5 (8), 6 (8), 7 (8), 8 (6), 9 (6), 10 (8), 11 (8), 12 (10), 13 (8), 14 (), 15 (10), 16 (8), 17 (8), 18 (3, leaf added after fol. 134),

Binding

Parchment, 143 x 94 mm, four Coptic chain stitches attached with bridle attachments to rough-hewn boards of the traditional wood, covered with tooled leather, headband and tailband.

Binding material

parchment

wood

leather

Original binding

Yes

Layout

Layout note 1

H
W
Margins
top 16mm
bottom 28mm
right 10mm
left 8mm

Ms Belmont, MA, , Alwan Codex 12 main part

looks ok for measures computed width is: NaNmm, object width is: 94mm, computed height is: NaNmm and object height is: 143mm.

Layout note 1(Fols 1r–111v,

Images relevant for EMIP00126#ms, from EMIP/Codices/126/

You are viewing a sequence of images from f. 1r to f. 111v

Open with Mirador Viewer

129r–131r,

Images relevant for Belmont, MA, , Alwan Codex 12, msDesc ms, from EMIP/Codices/126/

You are viewing a sequence of images from f. 129r to f. 131r

Open with Mirador Viewer

132r )

Number of columns: 1

Number of lines: 28

Layout note 1(Fols 112r–128v,

Images relevant for Belmont, MA, , Alwan Codex 12, msDesc ms, from EMIP/Codices/126/

You are viewing a sequence of images from f. 112r to f. 128v

Open with Mirador Viewer

131v )

Number of columns: 2

Number of lines: 28

Palaeography

  • Hand 1

    Script: Ethiopic

    Rubrication: Content Item 1.4 , item 1 Wǝddāse Māryām (CAe 2509) Content Item 1.5 , item 1 ʾAnqaṣa bǝrhān (CAe 1113) Content Item 2 Hymn to David (CAe 3052) Content Item 3 Maṣḥafa saʿātāt (CAe 3575) Content Item 4 Malkǝʾa wǝddāse Māryām (CAe 1869) ms_i5 not found in this file እግዚአብሔር: Content Item 1.4 , item 1 Wǝddāse Māryām (CAe 2509) [link] ማርያም: 112r not found in this file 112v not found in this file 113r not found in this file 113v not found in this file 114r not found in this file ዳዊት፡

    Columetric layout of text: fols. 101r, 101v and Third Song of the Three Youths in the Furnace, ThreeYouths3
  • Keywords

    Publication Statement

    authority
    Hiob-Ludolf-Zentrum für Äthiopistik
    publisher
    Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft
    pubPlace
    Hamburg
    availability

    This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.

    date
    type=expanded
    18.4.2024 at 21:57:07
    date
    type=lastModified
    24.11.2020
    idno
    type=collection
    manuscripts
    idno
    type=url
    https://betamasaheft.eu/manuscripts/EMIP00126/main
    idno
    type=URI
    https://betamasaheft.eu/EMIP00126
    idno
    type=filename
    EMIP00126.xml
    idno
    type=ID
    EMIP00126

    Edition Statement

    The initial version of this file was created from data kindly provided by the Ethiopic Manuscript Imaging Project directed by Steve Delamarter.

    Encoding Description

    Encoded according to the Beta maṣāḥǝft Guidelines. These Guidelines detail the TEI format ruled by the Beta maṣāḥǝft Schema. The present TEI file is enriched with an Xquery transformation taking advantage of the exist-db database instance where the data is stored and of the many external resources to which this data points to.

    Definitions of prefixes used.

    Select one of the keywords listed from the record to see related data

    No keyword selected.
    This page contains RDFa. RDF+XML graph of this resource. Alternate representations available via VoID.
    Hypothes.is public annotations pointing here

    Use the tag BetMas:EMIP00126 in your public hypothes.is annotations which refer to this entity.

    Suggested Citation of this record

    To cite a precise version, please, click on load permalinks and to the desired version (see documentation on permalinks), then import the metadata or copy the below, with the correct link.

    Jonah Sandford, Ralph Lee, Ashlee Benson, Pietro Maria Liuzzo, ʻBelmont, MA, , Alwan Codex 12ʼ, in Alessandro Bausi, ed., Die Schriftkultur des christlichen Äthiopiens und Eritreas: Eine multimediale Forschungsumgebung / Beta maṣāḥǝft (Last Modified: 2020-11-24) https://betamasaheft.eu/manuscripts/EMIP00126 [Accessed: 2024-05-16]

    Revisions of the data

    • Ralph Lee Replaced text titles of ms items with correct title refs, added line breaks to incipits, added refs to locations of columetric layout of text in handnote on 24.11.2020
    • Ashlee Benson Updated id numbers on 23.11.2020
    • Ashlee Benson Minor changes on 12.11.2020
    • Ashlee Benson Updated facs statements on 4.11.2020
    • Ashlee Benson Added facs statements on 26.10.2020
    • Ralph Lee Added link to Ps118 spiritual meanings on 22.6.2020
    • Ralph Lee Corrected ǝ character on 18.4.2020
    • Ralph Lee Reformatted miniature descriptions, additions, etc. on 17.9.2019
    • Jonah Sandford Added quire desc, binding desc, margin dim, columns/lines, dating info on 10.7.2018
    • Pietro Maria Liuzzo Created XML record from EMIP Collection Metadata.xsls on 18.1.2018

    Attributions of the contents

    Jonah Sandford, editor

    Ralph Lee, editor

    Ashlee Benson, editor

    Pietro Maria Liuzzo, contributor

    The initial version of this file was created from data kindly provided by the Ethiopic Manuscript Imaging Project directed by Steve Delamarter.
    This file is licensed under the Creative Commons Attribution-ShareAlike 4.0.